Publisher: State University of New York Press
Release Date: September 1, 2011
“Hitchcock at the Source: The Auteur as Adapter” is a collection of scholarly essays about Alfred Hitchcock’s film adaptations (compiled and edited by R. Barton Palmer and David Boyd). While one might be tempted to compare this book to “Hitchcock and Adaptation: On the Page and Screen” (which was edited by Mark Osteen), this would be a disservice to both texts. While both of these volumes cover the adaptation of Alfred Hitchcock’s output, a large percentage of the films covered in this volume aren’t covered in Osteen’s collection (and those that are covered are handled with a set of very different agendas).
While both volumes are often scholarly in tone and substance, this book has a slightly less pretentious quality (for the most part). It might be said that this collection would be better suited for the casual Hitchcock fan. Although these essays are handled with the usual helping of theoretical discourse, most are written in a much more digestible manner. Luckily, most of the essays offer many factual details to support (or try to support) the scholarly analysis. These factual details are what will interest many of the director’s fans. Of course, some essays will interest readers more than others. Many will likely find the introduction less rewarding than one might prefer, and Thomas Leitch’s Hitchcock from Stage to Page (the first essay in the collection) tends to act as an introduction in its own right. This particular essay is pure theory and is so generalized that it only served to stall my enjoyment of the rest of the volume.
The important thing is that “Hitchcock at the Source: The Auteur as Adapter” offers writings (and research) on a topic that is too often ignored.