Blu-Ray Review: To Catch a Thief

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Distributor: Paramount Pictures

Release Date: March 06, 2012

Region: Region Free

Length: 01:46:32

Video: 1080P (AVC High@L4.1, 23.976fps, 23.8GB)

Main Audio:

2.0 Stereo English – TrueHD (AC3 2.0, 16bit, 48kHz, 224kbps)

The Original Mono English Soundtrack – TrueHD (AC3 2.0, 16bit, 48kHz, 224kbps)

Alternate Audio:

French Stereo (AC3 2.0, 16bit, 48kHz, 224kbps)

Portuguese Stereo (AC3 2.0, 16bit, 48kHz, 224kbps)

Spanish Stereo (AC3 2.0, 16bit, 48kHz, 224kbps)

Subtitles: English, English (hard of hearing), French, Portuguese & Spanish

Ratio: 1.78:1 (16:9)

Bitrate: 38Mbps

Notes: This title has had several DVD releases. The best of these is the 2-Disc Centennial Collection release.  

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“Sex on the screen should be suspenseful, I feel. If sex is too blatant or obvious, there’s no suspense…I deliberately photographed Grace Kelly ice-cold and I kept cutting to her profile, looking classical, beautiful, and distant. And then, when Cary Grant accompanies her to the door of her hotel room, what does she do? She thrusts her lips right up to his mouth.” –Alfred Hitchcock

Frances Stevens’ pursuit of John Robie is perhaps given more attention in the film than Robie’s pursuit of the real cat burglar, but few will complain. To Catch a Thief is gorgeous beyond description and notably risqué in its elegant wit and humor. Scholars often write the film off as “lesser” Hitchcock, but the film enjoyed a good deal of success upon its release. It is true that this film does not have the depth that films like Vertigo enjoy, but it is solid entertainment and required viewing.

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The Presentation:

4 of 5 MacGuffins

To Catch a Thief is housed in the standard blue case with attractive cover art that improves upon its various DVD releases. This case is protected by a slipcover with the same artwork.

 The menu itself is static, but lovely with accompaniment from Lyn Murray’s score.

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Picture Quality:

4.5 of 5 MacGuffins

Robert Burks’ Oscar winning cinematography has never looked more beautiful on home video. To Catch a Thief was Alfred Hitchcock’s first film to employ the VistaVision process, and the added resolution seems to have helped in Paramount’s high definition transfer of the film. The colors seem accurately presented and never look awkward (even Cary Grant’s tan looks natural). Blacks are solid without crushing detail. Grain never seems to overwhelm the amazing detail that this high definition transfer reveals. There is a single shot during the costume gala that looks both soft and grainy, but this seems to be inherent in the source material. The troublesome moiré effect on Grant’s striped shirt that overwhelms the picture in previous home video releases of the film is all but nonexistent in this transfer. Aliasing can be an occasional issue, but is never terribly distracting. There is nothing about the transfer that should discourage fans from purchasing the disc.

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Sound Quality:

4 of 5 MacGuffins

Paramount should be applauded for offering not only a True HD 2.0 Stereo soundtrack, but also the film’s original Mono soundtrack in TrueHD. Although the audio seems rather unimpressive by today’s standards, any issue one finds with the film’s audio presentation will likely be due to the age of the film. The audio is clean without much (if any) noise or distortion and dialogue is always clear and intelligible. Lynn Murray’s score also sounds better than I have ever heard it on home video. My issues with the sound are all source related and stem from the dubbing of Charles Vanel’s dialogue. Even this is a minor complaint.

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Special Features:

4 of 5 MacGuffins

The large collection of special features included with the 2-Disc Centennial Collection DVD release of the film have been ported over to the Blu-ray. There is over ninety minutes of wonderful features included on the disc in addition to the commentary track. Paramount offers audiences quite a bit of bang for their buck with this release. There are no Blu-ray exclusives, but the supplements included pretty much exhaust the subject and leave little else to be said about the film.

Feature Length Commentary Track from Dr. Drew Casper

This Drew Casper track is more analytical and does not go into any depth about the actual production itself. The dry delivery might turn a few people off, but his analysis of the film remains interesting.

Writing and Casting To Catch a Thief(SD) – (00:09:04)

This featurette focuses on the writing and casting of the film and is thoroughly interesting and informative.

The Making of To Catch a Thief (2002) – (SD) – (00:16:54)

The Making of ‘To Catch a Thief’ focuses on the actual production through the release of the film.

Alfred Hitchcock and To Catch a Thief: An Appreciation – (SD) – (00:07:33)

This is a more personal look at Alfred Hitchcock and To Catch a Thief that contains interesting home movies of Hitchcock. It is revealed that the director liked vacationing in the south of France along with other relevant details. This piece is slightly less informative, but remains of interest to fans. Most of the information covered in this piece is covered in other supplements as well.

Unacceptable Under the Code: Film Censorship in America – (SD) – (00:11:49)

This is an interesting short about the history of the production code and how it affected To Catch a Thief.

A Night with the Hitchcocks – (SD) – (00:23:22)

Dr. Drew Casper hosts a Q&A session with Patricia Hitchcock and Mary Stone at the University of Southern California. It is interesting to hear Hitchcock’s daughter and granddaughter discuss the more personal aspects of the director’s life.

Edith Head: The Paramount Years (2002) – (SD) – (00:13:44)

This featurette is a staple of Paramount home video releases (and for good reason). It discusses the fabulous costume designer, Edith Head. It has special relevance here, because To Catch a Thief was her favorite of the films that she worked on.

Behind the Gates: Cary Grant and Grace Kelly – (SD) – (00:06:13)

A brief discussion on the film’s two stars focuses more on Grant than on Kelly. It relays some interesting information about the stars, but is not very comprehensive.

If You Love to Catch Thief, You’ll Love this Interactive Travelogue – (SD)

This is essentially a set of short clips discussing the various locations used in the film. Footage from To Catch a Thief is used to illustrate the information.

Original Theatrical Trailer – (HD) – (00:02:13)

This is very similar in style to other theatrical trailers of the period.

Photo Galleries – (HD)

There are quite a few production photos and promotional materials to look through in a sort of slide style presentation.

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Final Words:

To Catch a Thief is even more delightful in high definition.

Reviewed by: Devon Powell

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Blu-ray Review: Notorious


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Distributor: MGM Home Entertainment

Release Date: January 24, 2012

Region: Region A

Length: 01:41:40

Video: 1080P (MPEG-4, AVC)

Main Audio: DTS-HD Master Audio Mono (48kHz, 24-bit)

Subtitles: English, Spanish, and French

Ratio: 1.37:1

Bitrate: 37.39 Mbps

Notes: This title is also available on DVD. It was released individually and as part of The Premiere Collection boxed set.

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This Blu-ray title is also available as part of a three film set entitled, The Classic Collection.

NOTORIOUS

“I was sailing on the Queen Elizabeth and I ran into a man called Joseph Hazen, who was an associate of producer Hal Wallis. He said to me, ‘I’ve always wanted to find out where you got the idea for the atom bomb a year before Hiroshima. When they offered us the Notorious script, we turned it down because we thought it was such a damn foolish thing to base a movie on’ … I answered, ‘Well, all it goes to show is that you were wrong to attach any importance to the MacGuffin.” –Alfred Hitchcock

Hitchcock was correct. Notorious isn’t a film about uranium ore. It touches on the classic theme of love versus duty but goes beyond that to explore relationship politics and the games that couples tend to play with one another. There is a scene between T.R. Devlin (Cary Grant) and Alicia Huberman (Ingrid Bergman) in which both characters are playing a game of emotional chicken. They love each other, but Devlin does not want to tell Alicia and later find out that she cannot be true to him. He has given Alicia her assignment:  She is to bed a Nazi agent in order to find out secrets about his organization.

Alicia is angry at Devlin for not speaking up for her to his superiors. Why would he not tell them that she is the wrong woman for such a job? The truth is that he did speak up for her, but he refuses to admit this to Alicia. Devlin does not want her to accept the assignment and will not let these feelings be known. He needs to know if he can trust her. Alicia wants Devlin to tell her that he believes in her and not to take the assignment because he loves her. Neither character will budge. They are testing one another and both of them fail miserably. Alicia ends up bedding the agent and Devlin ends up bitterly resenting her choice (even though she is only doing it because she believes it is what he wants). These games intensify later when Alicia baits Devlin by telling him, “You can add Sebastian’s name to my list of playmates.” This leads to the following exchange:

Devlin: I can’t help recalling some of your remarks about being a new woman. Daisies and buttercups, wasn’t it?

Alicia: You idiot. What are you sore about? You knew very well what I was doing.

Devlin: Did I?

Alicia: You could have stopped me with one word, but no, you wouldn’t. You threw me at him!

Devlin: I threw you at nobody.

Alicia: Didn’t you tell me what I had?

Devlin: A man doesn’t tell a woman what to do; she tells herself. You almost had me believing in that little hokey-pokey miracle of yours, that a woman like you could change her spots.

Alicia: Oh, you’re rotten.

Devlin: That’s why I didn’t try to stop you. The answer had to come from you.

Alicia: I see… Some kind of love test.

Devlin: That’s right.

Even Alexander Sebastian (Claude Rains), plays emotional games with Alicia. At a dinner, Alicia apologizes to Sebastian for her behavior the last time that they were together. He responds by saying, “Well, then I’ll test your repentance immediately.” Sebastian worries that she has feelings for Devlin, and dances around the subject in order to get information out of her. He even pretends at one point to forget the issue and secretly continues worry. His proposal to Alicia is simply a form of manipulation. When Alicia claims that Devlin means nothing to her, Sebastian’s replies, “I’d like to be convinced. Would you maybe care to convince me, Alicia, that Mr. Devlin means nothing to you?

In The Art of Alfred Hitchcock, Donald Spoto describes the obvious motifs of bottles and alcohol in the film and then elaborates on Alicia’s habit of using alcohol to mask her emotional pain. Devlin is also protecting himself from emotional pain and this leads Alicia directly into the arms of Sebastian and puts her in danger. Self preservation becomes self destructive in Notorious. Of course, there are many ways to interpret this film. Great films are often rich in subtext and this one is no different. Everything is subjective (especially in a Hitchcock film). There’s more than enough here for a book length dissection, but watching the film is more rewarding than reading about it.

NOTORIOUS (1)

The Presentation:

2.5 of 5 MacGuffins

The disc is contained in the standard Blu-ray case with reasonably attractive cover art. It is nothing earth-shattering, but the artwork is more attractive than MGM’s DVD release of the same title.

There is no menu on the disc. To access the special features or change the audio settings, one must do so while the film is already playing. This is rather bothersome and extremely inconvenient. Some people might not mind this issue, but this film deserves a much better presentation.

 NOTORIOUS (2)

Picture Quality:

4 of 5 MacGuffins

Notorious went through a digital restoration process to prepare the film for MGM’s DVD boxed set, The Premiere Collection. This Blu-ray contains the1080p transfer of that same restoration, but this high definition disc is certainly a step up from the DVD release.

Anyone who has seen the aforementioned DVD will know before upgrading what flaws to expect from the print of the film (since the same digitally restored print was used for the Blu-ray). There is a bit of flickering and a few instances of dirt on the print. There might also be a few minor scratches. These flaws are minimal and one has to really look for these issues in order to notice them.

The detail quality is quite nice and the contrast is solid with inky blacks and well balanced grays. There is quite a bit of grain, but this would be evident in the source. The picture is much sharper than its previous home video releases thanks to its high definition transfer. Overall, I must say that it is a rather appealing picture that represents the film nicely.

NOTORIOUS (4)

Sound Quality:

3.5 of 5 MacGuffins

Notorious is given a lossless, DTS-HD 2.0 Master Audio mix. This is probably the best I have heard the film sound. Dialogue is consistent and clear and music seems a bit more dynamic than I have previously heard it. There might be a bit of echo during certain moments of dialogue, but this never becomes distracting. The fidelity is decent for a film of its era and one feels that any issues present are inherent in its source. I did not hear any hiss or any other irritating additions to the soundtrack.

NOTORIOUS (8)

Special Features:

4 of 5 MacGuffins

Commentary by Rick Jewell

Jewell’s commentary is what he labels a “contextual commentary.” The track isn’t screen specific and a wide variety of information is discussed. Jewell wrote The RKO Story and much of the track discusses the studio’s history. He does briefly discus the political landscape of post war America. It is an interesting track and certainly worth a listen.

Commentary by Drew Casper

Casper’s commentary focused more on Notorious. His commentary is a little short on facts and instead focuses more on film theory. One might call it an oral essay. He does reveal a few interesting bits of information that most people will find interesting.

Isolated Music Track

This feature allows audiences to experience the film with only the music and sound effects.

The Ultimate Romance: The Making of Notorious – (28:15)

This is essentially a short “making of” documentary. It isn’t a very comprehensive documentary, but the information is extremely interesting. This is probably my personal favorite special feature.

Alfred Hitchcock: The Ultimate Spymaster – (13:09)

Hitchcock’s influence upon the espionage genre is discussed here. Most audiences will find this of interest.

The American Film Institute Award: The Key to Hitchcock – (03:19)

This is an extremely welcome addition to the list of features. It contains Hitchcock’s “thank you” speech and Ingrid Bergman’s presentation of the famous UNICA key to Alfred Hitchcock at AFI’s Lifetime Award ceremony honoring the director.

Hitchcock Interview – Excerpts from the director’s conversations with Alfred Hitchcock and Francois Truffaut(16:22)

These interview clips may sound familiar to those who have read Truffaut’s book length interview with Hitchcock, but it should remain interesting regardless. This audio-only feature plays over a blank black screen.

Hitchcock Interview – Excerpts from the director’s conversations with Alfred Hitchcock and Peter Bogdanovich – (02:19)

This is a brief excerpt of Hitchcock’s interview with Peter Bogdanovich. Hitchcock is always interesting and this is no exception. Again, the audio plays over a blank black screen. The interview is not as great (or as comprehensive) as Truffaut’s, but it is always nice to hear Hitchcock discuss his films.

Restoration Comparison – (02:54)

This short piece shows clips of the film before and after restoration (mostly in split screen).

Theatrical Trailer – (02:30)

I am glad that they included the film’s vintage trailer. I always find these interesting.

Complete Broadcast of the 1948 Lux Radio Theater Adaptation (starring Ingrid Bergman and Joseph Cotton) – (59:31)

This radio play is interesting, but it has nothing on the actual film. The beginning of this feature includes a list of credits and then the audio plays over a blank black screen.

NOTORIOUS (10)

Final Words:

Notorious is one of Alfred Hitchcock’s essential films. It should have a place of honor on everyone’s shelf. This recommendation might stem from the excellence of the actual film and not the Blu-ray release. Regardless, this high definition release is an improvement on the DVD (even without a main menu).

Reviewed by: Devon Powell