Tag: Foreign Correspondent (1940)

Blu-ray Review: Classic Hitchcock – The Criterion Collection

Boxed Set

Distributor: Criterion Collection (USA)

Release Date: December 15, 2015

Region: Region A

Notes: Our source at Criterion tells us that this Boxed Set will likely only be available for a very limited time. However, these titles are also available individually on both Blu-ray and DVD.

The Criterion Collection has packaged their currently available Hitchcock titles into a boxed-set called Classic Hitchcock. The set contains the following Criterion titles with the same packaging, supplements, and transfers as their respective individual releases:

The Man Who Knew Too Much (1934):

Blu-ray Review: The Man Who Knew Too Much – The Criterion Collection

The 39 Steps (1935):

Blu-ray Review: The 39 Steps – The Criterion Collection

The Lady Vanishes (1938):

Blu-ray Review: The Lady Vanishes – The Criterion Collection

Foreign Correspondent (1940):

Blu-ray Review: Foreign Correspondent – The Criterion Collection

(Please click the links to read complete reviews of each of these titles.)

Final Words:

Those who have not already purchased any of these Criterion titles will find that this boxed set saves them quite a bit of money.

Review by: Devon Powell

Book Review: Hitchcock’s Partner in Suspense: The Life of Screenwriter Charles Bennett

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Publisher: The University Press of Kentucky

Release Date: Mar 24, 2014

It would be rather short sighted to assume that Alfred Hitchcock’s creative evolution wasn’t altered by the various individuals that collaborated with him. Out of all the screenwriters that Hitchcock worked with, Charles Bennett likely had the most impact upon the director’s cinematic approach to suspense. When one looks at the director’s filmography, it becomes immediately clear that the director’s talents matured during his association with Bennett. After adapting Bennett’s play, “Blackmail” into Britain’s first feature length ‘talkie’ (an incredible artistic and commercial success), he went on to make a string of mostly forgettable films. The quality of his films improved exponentially once he teamed up with Bennett to create the screenplay for The Man Who Knew Too Much (1934). Hitchcock certainly realized this since he continued to work with Bennett on The 39 Steps (1935), Secret Agent (1936), Sabotage (1936), and Young and Innocent (1937). The fact that Hitchcock continued to make masterful film’s after his association with Bennett simply suggests that the writer’s skill had rubbed off on the director. (However, it is also important to note that much of Bennett’s best work was done with Alfred Hitchcock. Obviously, both had much to contribute.) One imagines that the pair would have continued their collaboration had Bennett not moved to Hollywood in 1937. [They would collaborate again on Foreign Correspondent (1940).]

This autobiography by Charles Bennett (with occasional commentary by his son, John Charles Bennett) offers readers the rare opportunity to read what the screenwriting process was like while working with Alfred Hitchcock from a writer’s perspective. The astute reader will recognize immediately that the text is colored by a desire to illustrate (and sometimes over-emphasize) Bennett’s own importance. This is one of those human qualities that everyone seems to possess. Some of the stories told in the book differ greatly from accounts of the same events by other parties. The truth is that nothing in an autobiography is ever an objective account of events. This is what makes them so interesting. The fact that Bennett worked with Alfred Hitchcock during his British period adds an incredible amount of value to the book. This is a period of the director’s career that is rarely explored.

That said; this isn’t a book about Alfred Hitchcock. As John Charles Bennett relates in his preface to his father’s text, Bennett’s title for this memoir was “Life Is a Four-Letter Word.” Obviously, a title mentioning Hitchcock is bound to grab more attention. However, one wonders if it does not do Bennett a discredit. After all, his work with Hitchcock is only one of many topics covered here. The book is an enjoyable account of an extraordinary life, and much of this life had little to do with Alfred Hitchcock.

Lovers of film history would be wise to add this title to their summer reading lists.