Publisher: Bloomsbury Academic
Release Date: March 22, 2012
Expectation has a way of painting shadows upon a text that can easily doom the reader’s enjoyment. Certain readers might be disappointed with “Hitchcock’s Ear” if they are expecting an in-depth ‘behind the scenes’ study of Alfred Hitchcock’s incredible use of sound. This book has other agendas. David Schroeder’s analytical book is an in-depth study of the possible influence that music may have had upon Hitchcock’s film work (including mise-en-scène and montage). Instead of focusing on Hitchcock’s use of sound and music in his work, this text instead focuses on how the director’s musical influences affect his particular style. There are certainly major exceptions. One of the book’s highlights is a chapter that discusses Franz Waxman’s score for the film. The disintegration of the relationship between Bernard Herrmann and Alfred Hitchcock is also discussed at length. These chapters are both interesting and informative as they offer an alternative viewpoint about these particular topics.
Schroeder uses specific examples in exhaustive detail to illustrate his points. Because of the tireless detail presented here, the text has a great deal of value to learned scholars of Hitchcock studies, film theory, and music. However, one wonders if certain points will be made clear to individuals that do not have a basic understanding of music and music terminology (as well as a familiarity with various musical compositions). One imagines that Schroeder’s meaning will be lost on a great many people. This makes it rather difficult for a reviewer, because the book’s strengths are directly related to the weaknesses. The book’s sole weakness is that the reader’s enjoyment and understanding of the text is contingent upon his or her knowledge of the subject prior to reading the book. Even if this is an issue for certain readers, it should be said that Schroeder’s text provides an extremely new and interesting method of analyzing the “Hitchcock” film. It should provide scholars with an essential reference for future studies on the master’s oeuvre.
Review by: Devon Powell